"Kathmandu Selfie" is a collection of forty-three essays by Prakash Sayami, a prominent figure in Nepali literature, music, and cinema. Published on November 14, 2020, by Thuprai, the book spans 298 pages and is written in Nepali. The essays delve into various facets of Nepali culture, offering readers an intimate glimpse into the nation's artistic and historical landscape.
Author Background
Prakash Sayami, born on March 21, 1965, in Kathmandu, Nepal, is a multifaceted personality known for his contributions as a film director, writer, and producer. He has directed six feature-length Nepali films, including "Prithivi," "Simana," "Avatar," "Ranikhola," "Zamin," and "Hatiyar," as well as a Maithili film titled "Hansa Chalal Pardesh." Beyond filmmaking, Sayami has authored several books in both Nepali and English, covering topics such as music, cinema, and literature. His notable works include "Chalchitra Kala Ra Pravidi," "Barshadi Dinharoo," "Nepali Sangeet ko Ek Shatak," and "Ray: The Man of Cinema." citeturn0search10
Content Overview
"Kathmandu Selfie" is a rich tapestry of essays that reflect on the evolution and nuances of Nepali music, cinema, and literature. The collection includes pieces such as "Napathyama Harayeka Haru," "Sampadak Tharitharika," "Mero Naam," "Sawari Mero Railaimaa," "Bombai Katha," and "Lakhnau Dairy." Each essay offers a unique perspective, blending personal anecdotes with critical analysis to provide readers with a comprehensive understanding of Nepal's cultural heritage.
Critical Reception
The book has been well-received by readers and critics alike. On Goodreads, it holds an average rating of 3.85 out of 5, based on 20 ratings and 5 reviews. Readers have praised Sayami's ability to present the history of Nepali music, literature, and cinema in an engaging manner. One reviewer noted that reading the book feels like the author is conversing directly with the reader about Nepal's rich history, highlighting important aspects that many might not be aware of.
Author's Expertise
Sayami's extensive knowledge and experience in the fields he writes about are evident throughout the essays. His deep understanding of Nepali music, cinema, and literature allows him to provide insights that are both informative and thought-provoking. This expertise has led some to regard him as an encyclopedia on these subjects.
Conclusion
"Kathmandu Selfie" stands as a testament to Prakash Sayami's dedication to documenting and analyzing the cultural fabric of Nepal. Through his essays, readers are invited to explore the intricacies of Nepali art forms and gain a deeper appreciation for the country's artistic achievements. The book serves not only as a reflection of Nepal's cultural history but also as an inspiration for future generations to cherish and preserve their rich heritage.
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